This feature is based on Matt J. Ingalls' subinstruments. However, there are some differences. (Sub-instruments can be used independently with the original syntax.) User defined opcodes have these differences as compared to subinstruments:
opcodes are declared by opcode...endop pairs (similarly to instr...endin)
there are more argument types both for input and output - more output arguments are allowed that do not depend on nchnls
all p-fields (including p1) are copied from the calling instrument, as well as the release flag and MIDI parameters. Changing these from opcodes has no effect on the calling instrument, but does affect opcode or sub-instrument calls inside the opcode definition.
p-fields cannot be updated at k-rate from the caller instrument and are also not affected by input arguments
recursion is possible and only limited by available memory (this may be possible with subinstruments too, but not tested)
a local ksmps value can be set (this must be an even divisor of the ksmps of the calling instrument/opcode) both from the caller and in the user-defined opcode block (using the setksmps opcode.)
input/output to the caller instrument is done with xin and xout These are easier to use than out, outk, etc. in sub- instruments. But they work only in user-defined opcode blocks and not in normal instruments.
better memory management (memory leaks fixed)
cannot be used as stand-alone instruments
The opcode and endop statements allow defining a new opcode that can be used the same way as any of the built-in Csound opcodes. These opcode blocks are very similar to instruments (and are, in fact, implemented as special instruments). However, in most cases, they cannot be used from the score with i statements.
A user-defined opcode block must precede the instrument (or other opcode) from which it is used. But it is possible to call the opcode from itself. This allows recursion of any depth that is limited only by available memory. Additionally, there is an experimental feature that allows running the opcode definition at a higher control rate than the kr value specified in the orchestra header.
Similarly to instruments, the variables and labels of a user-defined opcode block are local and cannot be accessed from the caller instrument (and the opcode cannot access variables of the caller, either).
Some parameters are automatically copied at initialization, however:
all p-fields (including p1)
extra time (see also xtratim, linsegr, and related opcodes). This may affect the operation of linsegr/expsegr/linenr/envlpxr in the user-defined opcode block.
MIDI parameters, if there are any.
Also, the release flag (see the release opcode) is copied at performance time.
It must be noted that none of the above (with the exception of MIDI channel parameters that can be modified by opcodes like ctrlinit) are copied back to the calling instrument. This is particularly important in the case of p3 and xtratim - note duration cannot be changed from the opcode. However, this may change in future releases. So orchestras should not rely on what happens when an user-defined opcode block modifies p3 or the extra time.
Warning |
The turnoff opcode must not be used from user-defined opcodes, as it can have unpredictable results. |
Use the setksmps opcode to set the local ksmps value.
The xin and xout opcodes copy variables to and from the opcode definition, allowing communication with the calling instrument.
The types of input and output variables are defined by the parameters intypes and outtypes.
Notes:
xin and xout should be called only once, and xin should precede xout, otherwise an init error and deactivation of the current instrument may occur.
These opcodes actually run only at i-time. Performance time copying is done by the user opcode call. This means that skipping xin or xout with kgoto has no effect, while skipping with igoto affects both init and performance time operation.
name -- name of the opcode. It may consist of any combination of letters, digits, and underscore but should not begin with a digit. If an opcode with the specified name already exists, it is redefined (a warning is printed in such cases). Some reserved words (like instr and endin) cannot be redefined.
outtypes -- list of output types. The format is the same as in the case of intypes.
Here are the available outtypes:
Type | Description | Variable Types Allowed | Updated At |
---|---|---|---|
a | a-rate variable | a-rate | a-rate |
i | i-time variable | i-time | i-time |
k | k-rate variable | k-rate | k-rate |
K | k-rate with initialization | k-rate | i-time and k-rate |
The maximum allowed number of output arguments is 24. However, only the first 15 may be audio rate ("a").
intypes -- list of input types, any combination of the characters: a, k, K, i, o, p, and j. A single 0 character can be used if there are no input arguments. Double quotes and delimiter characters (e.g. comma) are not needed.
The meaning of the various intypes is shown in the following table:
Type | Description | Variable Types Allowed | Updated At |
---|---|---|---|
a | a-rate variable | a-rate | a-rate |
i | i-time variable | i-time | i-time |
j | optional i-time, defaults to -1 | i-time, constant | i-time |
k | k-rate variable | k-rate | k-rate |
K | k-rate with initialization | k-rate | i-time and k-rate |
o | optional i-time, defaults to 0 | i-time, constant | i-time |
p | optional i-time, defaults to 1 | i-time, constant | i-time |
The maximum allowed number of input arguments is 24. However, only the first 15 may be audio rate ("a").
iksmps (optional, default=0) -- sets the local ksmps value.
If iksmps is set to zero, the ksmps of the caller instrument or opcode is used (this is the default behavior).
Note: The local ksmps is implemented by splitting up a control period into smaller sub-kperiods and temporarily modifying internal Csound global variables. This also requires converting the rate of k-rate input and output arguments (input variables receive the same value in all sub-kperiods, while outputs are written only in the last one).
Warning about local ksmps |
When the local ksmps is not the same as the orchestra level ksmps value (as specified in the orchestra header). Global a-rate operations must not be used in the user-defined opcode block. These include:
In general, the local ksmps should be used with care as it is an experimental feature. Though it works correctly in most cases. |
The setksmps statement can be used to set the local ksmps value of the user-defined opcode block. It has one i-time parameter specifying the new ksmps value (which is left unchanged if zero is used). setksmps should be used before any other opcodes (but allowed after xin), otherwise unpredictable results may occur.
The input parameters can be read with xin, and the output is written by xout opcode. Only one instance of these units should be used, as xout overwrites and does not accumulate the output. The number and type of arguments for xin and xout must be the same as the declaration of the user-defined opcode block.
The input and output arguments must agree with the definition both in number (except if the optional i-time input is used) and type. An optional i-time input parameter (iksmps) is automatically added to the intypes list, and (similarly to setksmps) sets the local ksmps value.
The syntax of a user-defined opcode block is as follows:
opcode name, outtypes, intypes
xinarg1 [, xinarg2] [, xinarg3] ... [xinargN] xin
[setksmps iksmps]
... the rest of the instrument's code.
xout xoutarg1 [, xoutarg2] [, xoutarg3] ... [xoutargN]
endop
The new opcode can then be used with the usual syntax:
[xinarg1] [, xinarg2] ... [xinargN] name [xoutarg1] [, xoutarg2] ... [xoutargN] [, iksmps]
Here is an example of a user-defined opcode. It uses the files opcode_example.orc and opcode_example.sco.
Example 15-1. Example of a user-defined opcode.
/* ---- opcode_example.orc ---- */
sr = 44100
ksmps = 50
nchnls = 1
/* example opcode 1: simple oscillator */
opcode Oscillator, a, kk
kamp, kcps xin ; read input parameters
a1 vco2 kamp, kcps ; sawtooth oscillator
xout a1 ; write output
endop
/* example opcode 2: lowpass filter with local ksmps */
opcode Lowpass, a, akk
setksmps 1 ; need sr=kr
ain, ka1, ka2 xin ; read input parameters
aout init 0 ; initialize output
aout = ain*ka1 + aout*ka2 ; simple tone-like filter
xout aout ; write output
endop
/* example opcode 3: recursive call */
opcode RecursiveLowpass, a, akkpp
ain, ka1, ka2, idep, icnt xin ; read input parameters
if (icnt >= idep) goto skip1 ; check if max depth reached
ain RecursiveLowpass ain, ka1, ka2, idep, icnt + 1
skip1:
aout Lowpass ain, ka1, ka2 ; call filter
xout aout ; write output
endop
/* example opcode 4: de-click envelope */
opcode DeClick, a, a
ain xin
aenv linseg 0, 0.02, 1, p3 - 0.05, 1, 0.02, 0, 0.01, 0
xout ain * aenv ; apply envelope and write output
endop
/* instr 1 uses the example opcodes */
instr 1
kamp = 20000 ; amplitude
kcps expon 50, p3, 500 ; pitch
a1 Oscillator kamp, kcps ; call oscillator
kflt linseg 0.4, 1.5, 0.4, 1, 0.8, 1.5, 0.8 ; filter envelope
a1 RecursiveLowpass a1, kflt, 1 - kflt, 10 ; 10th order lowpass
a1 DeClick a1
out a1
endin
/* ---- opcode_example.orc ---- */
/* ---- opcode_example.sco ---- */
i 1 0 4
e
/* ---- opcode_example.sco ---- */